Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online.

Glass talked about how he studied semiotics in college, and that made a lot of sense: He approaches the radio show not like a journalist, but like a storyteller, using structure rather than content to build the audience's interest. He broke down some of his most famous episodes and explained how he organized them to build mysteries in the mind of the listener and establish universal connections to the people in the tale. I'm absolutely going to start applying his lessons to my own storytelling.

The stage show was frequently funny -- Glass has the skills to be a comedian, if not the psychopathology -- but for the cost of the tickets, I guess I expected more. It was over so soon, after Glass explained maybe four aspects about how his show works, and there was no visual element to the show other than Glass just walking around the stage, gesturing as he talked. The radio show has zero visual component, so I thought maybe the stage show would project images onto a screen or bring out some props or something to differentiate it. The stage show did include several requests to donate to the local NPR member station, so it was like the radio in that sense.

Even though stage show itself was not very good despite some laughs, I'll be glad that I went if it gets me listening to the backlog of This American Life online and gets me to approach storytelling in a new way.


Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Eww

Gross is dreaming about eating a bagel slathered with rich cream cheese, then waking up and realizing that "taste" is the bacterial film in your mouth. Go »

Comeback

Kelly shared this news with me: Boomerang returns, even in space. I'm still waiting for scientists to announce, 'Boomerang' Starring Eddie Murphy Still Sucks, Even in Space. Go »

And If You're Not Careful, You Might Learn Something

Ten things I learned from watching the entire run of The Cosby Show over the last few months on Netflix streaming: - Cliff wasn't the only one who wore wild sweaters. - Seinfeld was celebrated as the "show about nothing," but this show had even less plot. Entire episodes just riffed for twenty minutes on Vanessa fretting over a test or Theo having a crush on a girl, nothing more. Go »

Crikey

I saw a trailer for a new Free Willy movie coming out soon, starring Bindi Irwin. They're going to cash in on that kid for as long as they can, before she breaks down and can't be Miss Junior Croc Hunter and more. Maybe working in the same career that killed her dad is good for her psyche; who am I to be skeptical? Go »

Garfunkel and Oates

Kelly and I had a good time last night taking out two old friends for their birthdays to see Garfunkel and Oates in Tampa. I'm only familiar with the duo's songs, so it was refreshing that only maybe a third of the show consisted of music. The rest was stand up comedy, storytelling, audience interaction, and a weird extended commercial for their sponsor Monster Energy Drink, tall boys of which were being handed out for free, because that's just what my heart needs at ten o'clock at night. Go »

Pigeon Panic

Since Adrianne doesn't permit replies to her posts, I'll link it here: Poisoned pigeons fall from sky in Texarkana. The chain of events is too bizarre not to reiterate: A pigeon flew into a bank and defecated on a customer, so the bank put poisoned grain on the roof hoping to drive away the pigeons. Instead, dozens of birds flopped dead on the ground downtown – right during the city's annual festival. Go »