Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online.

Glass talked about how he studied semiotics in college, and that made a lot of sense: He approaches the radio show not like a journalist, but like a storyteller, using structure rather than content to build the audience's interest. He broke down some of his most famous episodes and explained how he organized them to build mysteries in the mind of the listener and establish universal connections to the people in the tale. I'm absolutely going to start applying his lessons to my own storytelling.

The stage show was frequently funny -- Glass has the skills to be a comedian, if not the psychopathology -- but for the cost of the tickets, I guess I expected more. It was over so soon, after Glass explained maybe four aspects about how his show works, and there was no visual element to the show other than Glass just walking around the stage, gesturing as he talked. The radio show has zero visual component, so I thought maybe the stage show would project images onto a screen or bring out some props or something to differentiate it. The stage show did include several requests to donate to the local NPR member station, so it was like the radio in that sense.

Even though stage show itself was not very good despite some laughs, I'll be glad that I went if it gets me listening to the backlog of This American Life online and gets me to approach storytelling in a new way.


Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Even When I Was a Child, I Was Hated by Skeletons

We watched The Lost Skeleton of Cadavra again last night. If you haven't seen it, and you have a place in your heart for a pretty good spoof of campy D-grade sci-fi movies from the 1950s, rent it. A few people have been turned off by its slow pace, but I have yet to watch it with someone who hasn't at least found a few things to chuckle at. Go »

Gingerbread Office

I don't often join in Kelly's craft projects, and it's even rarer for her to join in one of mine. But that's what happened last week when my company held a gingerbread house contest, and Kelly pitched in to help the team that I signed up for. We decided to make a "north pole branch" of our Sarasota office. Go »

Scott's Car is Dead; Long Live Scott's Car

Is it a reflection of our road-rage culture that a company named Dodge manufactures cars with violent names like Ram, Magnum, Caliber, and Viper? I pondered this at the dealership yesterday during the eternal wait between brief flurries of document-signing so I could buy my first car. It took some doing to get the sunroof and other features I wanted, but I'm now the happy (and relieved) owner of a 2007 Dodge Caliber SXT. Go »

It's a Small World

Somehow "small" doesn't do Earth justice. (link) Go »

Home Computing

Any time I get frustrated with how slow my computer seems these days, I just remember that it could be worse. Thanks, Marlon. Go »

Downtown Disney

My mom's birthday present to me was a mini-vacation in Orlando, since we're too broke to take a real vacation. We weighed the options for a few days, theme parks vs small local attractions, and settled on something we had wanted to do for years, DisneyQuest and some of the Downtown Disney complex around it. I knew DisneyQuest had a lot of motion-simulator and interactive video games, but I didn't realize that the entire 5-story building is just one giant video arcade. Go »