Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online.

Glass talked about how he studied semiotics in college, and that made a lot of sense: He approaches the radio show not like a journalist, but like a storyteller, using structure rather than content to build the audience's interest. He broke down some of his most famous episodes and explained how he organized them to build mysteries in the mind of the listener and establish universal connections to the people in the tale. I'm absolutely going to start applying his lessons to my own storytelling.

The stage show was frequently funny -- Glass has the skills to be a comedian, if not the psychopathology -- but for the cost of the tickets, I guess I expected more. It was over so soon, after Glass explained maybe four aspects about how his show works, and there was no visual element to the show other than Glass just walking around the stage, gesturing as he talked. The radio show has zero visual component, so I thought maybe the stage show would project images onto a screen or bring out some props or something to differentiate it. The stage show did include several requests to donate to the local NPR member station, so it was like the radio in that sense.

Even though stage show itself was not very good despite some laughs, I'll be glad that I went if it gets me listening to the backlog of This American Life online and gets me to approach storytelling in a new way.


Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Grousing About the Mouse

Kelly and I still have our annual passes to Disney World, but we've had more trouble going recently because of disabilities that slow us down. A friend suggested joining a busy Facebook group for Disney World fans like us who struggle with disabilities and share advice with each other. I clicked the button to join, and up popped a 4-question form asking questions that are required for membership. Go »

Thank You Mario! But Our Princess is in Another Castle!

(link) Go »

Eschew Obfuscation

For any FIN players wondering where in the hell the game is: I used my little free time over last weekend writing a mini-post – three whopping paragraphs – and at the end of the weekend I just couldn't bear to publish it so short. (The title of this post was the planned title of that post.) I have now rearranged my social so that weekends are more free, and one thing I plan to do with the time is resume writing FIN, starting this weekend by expanding my three paragraphs into more like three pages. Go »

WLW: Can't

"Can't" is a word that fat people tell ourselves a lot after so many failed diets: We can't lose the weight, we can't succeed. Hearing it from a doctor would seem inconsequential. But it still hurts. Go »

And If You're Not Careful, You Might Learn Something

Ten things I learned from watching the entire run of The Cosby Show over the last few months on Netflix streaming: - Cliff wasn't the only one who wore wild sweaters. - Seinfeld was celebrated as the "show about nothing," but this show had even less plot. Entire episodes just riffed for twenty minutes on Vanessa fretting over a test or Theo having a crush on a girl, nothing more. Go »

Revisiting Survivor: Australia

Since I'm a fan of Survivor and I missed the first halves of early seasons when they aired, lately I've rented them on DVD to see what I missed. And it's given me an opportunity to reflect on how the show has changed over twelve seasons. The first two seasons had a special quality that has largely been missing every since, which is the genuineness of the cast. Go »