OK Glass
by Scott Hardie on September 18, 2014

Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online.
Glass talked about how he studied semiotics in college, and that made a lot of sense: He approaches the radio show not like a journalist, but like a storyteller, using structure rather than content to build the audience's interest. He broke down some of his most famous episodes and explained how he organized them to build mysteries in the mind of the listener and establish universal connections to the people in the tale. I'm absolutely going to start applying his lessons to my own storytelling.
The stage show was frequently funny -- Glass has the skills to be a comedian, if not the psychopathology -- but for the cost of the tickets, I guess I expected more. It was over so soon, after Glass explained maybe four aspects about how his show works, and there was no visual element to the show other than Glass just walking around the stage, gesturing as he talked. The radio show has zero visual component, so I thought maybe the stage show would project images onto a screen or bring out some props or something to differentiate it. The stage show did include several requests to donate to the local NPR member station, so it was like the radio in that sense.
Even though stage show itself was not very good despite some laughs, I'll be glad that I went if it gets me listening to the backlog of This American Life online and gets me to approach storytelling in a new way.
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Pandora
[This post wound up being very long-winded and self-absorbed, but that's what blogs are for, I guess.] For years, I've gotten increasingly picky about how I listen to music. Sometimes I just want to listen to everything I have on shuffle, but sometimes I want to get more specific like only music from one genre on shuffle or all songs by one artist in chronological order, and sometimes I want to get really specific, like songs about dreams or artists from Michigan or recordings featuring violins. Go »
TACO TOWN!!
(link) Thanks, Jon. Go »
Where the Hell I Have Been All Year, Part II
I have a job! It sounds silly to keep that a secret, and yet I did for two years. I was fearful of being dooced for the slightest remark, since nearly anything can be interpreted as inappropriate with enough reasoning. Go »
Red Carpet Saturday
Some friends of ours recently made a short film (they're officially in IMDb) that got into the Sarasota Film Festival, so Kelly and I had to check it out. It screened with eight other short family-friendly films on a Saturday morning, and there was good turnout for the two locally-made titles in the set. I enjoyed our friends' comedy and laughed along with everyone else, and I was impressed by several of the other movies too. Go »
His Name is Bond
[Spoilers for Casino Royale.] One of my favorite bits of any fan-invented mythology is the identity of 007: It is held by some series fans (and me) that "James Bond" is merely a codename. When one Bond is killed or retires, another one takes his place and assumes the same name, which is why you see a different actor every decade and the man doesn't age despite having been around since the Kennedy administration. Go »