In Love, in Tampa | Tragic Comedy

Last night we took in a special show by Amanda Palmer and Neil Gaiman for Valentines Day. Kelly is a huge fan of both and I was happy to take her to see them.

I did not start the evening as a Palmer fan, but I was one by the time it ended. Her songs can be pretentious, self-involved, shrill, off-key -- all qualities that are off-putting at first that gradually become endearing. I particularly enjoyed her piano playing and wished for an instrumental number, but it wasn't in the cards.

I enjoyed Gaiman's comics back when I read comics, and I knew of his reputation as a very gifted storyteller otherwise. He doesn't have the best reading voice (and an even worse singing voice), but he certainly made do. His stories were touching and clever.

The best part of the show by far was the conversations with the audience, in the form of Q&A on notes dropped in a box in the lobby. Both stars have a mutual love affair with their fans, although Palmer's are far more extroverted (and prone to shouting things at her all night, as I learned). They improvised very funny answers to fan questions and showed a lot of personality. They were there to engage with the audience, not just put on a one-way show.

We arrived too late to have the planned dinner with friends in Tampa, so we sat shivering outside without jackets (boo hoo, right northern friends?) at a sidewalk bistro before showtime. I was on diet, so I just had to sit while Kelly ate hummus and tried to get it over with quickly. We walked around downtown Tampa a bit and found a shop selling all kinds of chocolates, the perfect spontaneous purchase on Valentines Day. Due to the show running past midnight and it already being a long drive to Tampa and back, we wound up having a ten-hour day trip. It was worth it.

Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

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All King and No Kubrick Make Jack a Dull Boy

I recently got to talking with friends who liked The Shining, both Stephen King's novel and Stanley Kubrick's film adaptation of it, but who were unaware that King has always loathed the movie, despite its reputation as one of the best horror films ever made. It's hard to imagine that a writer doesn't know his own work better than someone interpreting it, but I think this is one of those rare cases where the writer is just too close to the story to get it. Here are three reasons why I think Kubrick's film better understands the material, and is better overall, than King's novel: 1) In King's version, Jack Torrance is a fundamentally decent man who wouldn't hurt a fly, but who is down on his luck and desperate. Go »