Maybe It's Warwick Davis
by Scott Hardie on March 8, 2007

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Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

The Vagueness Continues
Things are looking up. Tomorrow, we sign the lease on a new house in Sarasota, bigger and cheaper than the ridiculously overpriced apartment we've had for five years. It's the first in a series of changes that we've wanted to make for a long time. Go »
Nuts and Veggies
If you haven't heard, VeggieTales is coming to NBC. Without reference to God. And the creator feels duped. Go »
Garfunkel and Oates
Kelly and I had a good time last night taking out two old friends for their birthdays to see Garfunkel and Oates in Tampa. I'm only familiar with the duo's songs, so it was refreshing that only maybe a third of the show consisted of music. The rest was stand up comedy, storytelling, audience interaction, and a weird extended commercial for their sponsor Monster Energy Drink, tall boys of which were being handed out for free, because that's just what my heart needs at ten o'clock at night. Go »
My Hot Thanksgiving
It may have been a cold Thanksgiving up north, but it wasn't in my mother's apartment yesterday, where the air conditioning was broken and it was 80°. And that was before we turned the oven on for an hour to heat the food. We've ordered pre-made meals before from various businesses like Boston Market and Publix, but this year the only source we could find was Zoës Kitchen, a Middle Eastern chain restaurant. Go »
All King and No Kubrick Make Jack a Dull Boy
I recently got to talking with friends who liked The Shining, both Stephen King's novel and Stanley Kubrick's film adaptation of it, but who were unaware that King has always loathed the movie, despite its reputation as one of the best horror films ever made. It's hard to imagine that a writer doesn't know his own work better than someone interpreting it, but I think this is one of those rare cases where the writer is just too close to the story to get it. Here are three reasons why I think Kubrick's film better understands the material, and is better overall, than King's novel: 1) In King's version, Jack Torrance is a fundamentally decent man who wouldn't hurt a fly, but who is down on his luck and desperate. Go »