Rethinking Forrest Gump
by Scott Hardie on October 6, 2006
Inspired by a conversation this past weekend, I've been thinking about the once-popular movie Forrest Gump. It has fallen out of favor with people who prefer its contemporaries Pulp Fiction and The Shawshank Redemption and believe it robbed them of Oscars, but to me all three films are good. Gump succeeds because of a lot of factors, but consider its acting and its visual effects. I've often heard it said that a bad performance is when you're aware it's only an actor playing a role instead of disappearing into it convincingly. Tom Hanks had starred in a dozen box-office hits by that point in his career and was the reiging Best Actor from the year before, and yet despite his familiarity to millions of moviegoers, some people still believed he was genuinely retarded because he played Gump so well. That's acting! Along the same lines, the best visual effects are said to be the ones you never notice. Gary Sinise was unknown then, but some people actually thought he was a legless actor, or even more outrageously, that he actually had his legs amputated for the role! Either the acting and the special effects were so very good as to lead people to outlandish conclusions as plausible explanations for them, or the audience for the film was as dumb as its hero. Even I'm not cynical enough to believe the latter.
One Reply to Rethinking Forrest Gump
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »
The Angry Number
Steve Dunn is bemused when people speak out against corporate America, as if it's a bad thing that they give millions of people jobs and create the products & services that enrich our lives. I'm with him, but sometimes I do get tired of being treated like a number. I've been a good tenant at this apartment complex for three years – always paid rent on time, no loud parties or messy pets or maintenance problems. Go »Kissingerian
Another of Fareed Zakaria's perfectly lucid articles today, suggesting the only way out of Iraq: (link) Go »Spirit
I've always felt like my life's dream was to quit my job and spend all my time online. I wouldn't only do that, of course – if I won the lottery and quit my job, I'd also travel and take classes and throw parties and do other things – but let's face it, I'd spend a lot of time working on this site and talking to people online. Last night I dreamed I was a ghost, recently passed. Go »Final Chapter
The movies that are going to be written about in Brittany Murphy's obituaries are Just Married, 8 Mile, Clueless, and maybe Sin City. But the one most sadly relevant is a movie that few people saw, The Dead Girl. Each chapter of the movie shows how a different woman is affected by the discovery of a woman's body in a field, until the last chapter doubles back and shows us her haunting final days. Go »Tooth in Advertising
Every time I go to the local Carmike cinema and watch their pre-show reminders montage, I wind up thinking about dentists. First they show King Kong howling with those yellowish fangs – he needs a veterinary dentist. Then it's the pirates of the Caribbean; they have gold teeth so they need dentists too. Go »
Kris Weberg | October 15, 2006
The acting in Forrest Gump is fine. The problem with the film is thatr, aside from being a rather nice little tour of popular accounts of American history, it doesn't really add up to much of anything. The moral seems to be that simple-minded platitudes and a certain obliviousness equate to virtue. The plot is simply a contrivance to insert Forrest into as many recent historical events as possible without having much to say about any of them.
It looks very nice and it's quite pleasant for the running time (at least on a first viewing), but it's a fairly pointless film when all is said and done. And that, more than anything else, is why its reputation has suffered in comparison to the moral challenges of Pulp Fiction and the meatier study of virtue and character in The Shawshank Redemption.