Things are looking up. Tomorrow, we sign the lease on a new house in Sarasota, bigger and cheaper than the ridiculously overpriced apartment we've had for five years. It's the first in a series of changes that we've wanted to make for a long time.

I dread becoming too busy in the next few months to work on Funeratic much. Already, I'm too busy tonight to expand the site history like I do every anniversary (happy 14th tomorrow), but I can do that in November I guess. I do have exciting plans for several sections of the site, some of which were discussed at GooCon and will remain a secret until they debut. I can't wait to get to work on them when I'm finally able.


Three Replies to The Vagueness Continues

Lori Lancaster | October 27, 2010
[hidden by author request]

Dave Stoppenhagen | October 28, 2010
Congrats on the new place. I hope all your changes go smoothly

Jackie Mason | October 29, 2010
[hidden by author request]


Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

More Free-Fallin'

A skydiver's chutes won't open, he falls 12,000 feet and survives with minor injuries, and the whole thing is captured on his helmet camera. (link) You have to click on the speaker to activate the sound. Go »

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Is it already the end of December? It feels like it's been three days since Thanksgiving. Between late nights at work, holiday parties, and shopping for the big day, this month has been a blur. Go »

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All King and No Kubrick Make Jack a Dull Boy

I recently got to talking with friends who liked The Shining, both Stephen King's novel and Stanley Kubrick's film adaptation of it, but who were unaware that King has always loathed the movie, despite its reputation as one of the best horror films ever made. It's hard to imagine that a writer doesn't know his own work better than someone interpreting it, but I think this is one of those rare cases where the writer is just too close to the story to get it. Here are three reasons why I think Kubrick's film better understands the material, and is better overall, than King's novel: 1) In King's version, Jack Torrance is a fundamentally decent man who wouldn't hurt a fly, but who is down on his luck and desperate. Go »