Worst Title Ever for a Magazine Interview with Rob Halford
by Scott Hardie on October 2, 2006
"Priest Infection"
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »
The Phoenix
This is the last of four weekly blog posts about diagnoses that have completely changed my life since the pandemic started, after The Dragon, The Tiger, and The Serpent. I saved the lightest one for last. Many people who discover later in life that they're neurodivergent have reported spending years aware of the symptoms and signs of their condition without ever considering that the description might apply to them, and when they do finally realize, it's as if a thousand mysteries are solved at once: Things that never made sense are all suddenly explained. Go »Gothic Conclusion
Gothic Earth was played for the last time on April 14, finally completing a long campaign that I was worried at times would wind up abandoned before we could finish it. You can read the entire storyline now. I'll leave the website online through August 31. Go »Nuts and Veggies
If you haven't heard, VeggieTales is coming to NBC. Without reference to God. And the creator feels duped. Go »Who's Got (Car) Trouble
I'm not even halfway through paying off my new car and already it's being towed to have the engine worked on, since it won't start tonight. It didn't deal well with Kelly's camping event last weekend, coming home with creaking suspension and broken power locks, and now this. He's hoping all four tires (just replaced in the spring) make it through GooCon this time. Go »All King and No Kubrick Make Jack a Dull Boy
I recently got to talking with friends who liked The Shining, both Stephen King's novel and Stanley Kubrick's film adaptation of it, but who were unaware that King has always loathed the movie, despite its reputation as one of the best horror films ever made. It's hard to imagine that a writer doesn't know his own work better than someone interpreting it, but I think this is one of those rare cases where the writer is just too close to the story to get it. Here are three reasons why I think Kubrick's film better understands the material, and is better overall, than King's novel: 1) In King's version, Jack Torrance is a fundamentally decent man who wouldn't hurt a fly, but who is down on his luck and desperate. Go »
