Rethinking Forrest Gump
by Scott Hardie on October 6, 2006

Inspired by a conversation this past weekend, I've been thinking about the once-popular movie Forrest Gump. It has fallen out of favor with people who prefer its contemporaries Pulp Fiction and The Shawshank Redemption and believe it robbed them of Oscars, but to me all three films are good. Gump succeeds because of a lot of factors, but consider its acting and its visual effects. I've often heard it said that a bad performance is when you're aware it's only an actor playing a role instead of disappearing into it convincingly. Tom Hanks had starred in a dozen box-office hits by that point in his career and was the reiging Best Actor from the year before, and yet despite his familiarity to millions of moviegoers, some people still believed he was genuinely retarded because he played Gump so well. That's acting! Along the same lines, the best visual effects are said to be the ones you never notice. Gary Sinise was unknown then, but some people actually thought he was a legless actor, or even more outrageously, that he actually had his legs amputated for the role! Either the acting and the special effects were so very good as to lead people to outlandish conclusions as plausible explanations for them, or the audience for the film was as dumb as its hero. Even I'm not cynical enough to believe the latter.
One Reply to Rethinking Forrest Gump
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Weakened
A friend (new GOO devotee Aaron Weiss) once said he had read about a psychological study that found people don't feel like they've had a weekend if they didn't have free time on Friday night. That was my experience this weekend: At the office till eight, then sitting down with pizza and a DVD only to nod off on the couch by nine thirty. I may have woken up refreshed on Saturday morning, but there was this crushing feeling that the weekend was almost over, that sort of numbing dread you feel every Sunday night an hour before bed. Go »
More Hypocrisy
Well, now that I've written at length on TC about how I consider online videos an unpleasant medium, this is the perfect time to share some! This year's Lazy Sunday might be this SNL bit with Justin Timberlake and Andy Samburg. NSFW. Go »
OK Glass
Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online. Go »
Devilin'
Bill O'Reilly on Shawn Hornbeck: "The situation here, for this kid, looks to me to be a lot more fun than what he had under his 'old' parents. He didn't have to go to school, he could run around and do whatever he wanted." Yeah, it was great. Go »
Love, Scott
Today is my mother Joan's 70th birthday. I wish her all the happiness in the world, but the occasion brings me feelings of guilt, for I have nothing to give her. Partly that because of bad timing, since she's on a cruise with her boyfriend Andy at the moment. Go »
Kris Weberg | October 15, 2006
The acting in Forrest Gump is fine. The problem with the film is thatr, aside from being a rather nice little tour of popular accounts of American history, it doesn't really add up to much of anything. The moral seems to be that simple-minded platitudes and a certain obliviousness equate to virtue. The plot is simply a contrivance to insert Forrest into as many recent historical events as possible without having much to say about any of them.
It looks very nice and it's quite pleasant for the running time (at least on a first viewing), but it's a fairly pointless film when all is said and done. And that, more than anything else, is why its reputation has suffered in comparison to the moral challenges of Pulp Fiction and the meatier study of virtue and character in The Shawshank Redemption.