Rethinking Forrest Gump
by Scott Hardie on October 6, 2006
Inspired by a conversation this past weekend, I've been thinking about the once-popular movie Forrest Gump. It has fallen out of favor with people who prefer its contemporaries Pulp Fiction and The Shawshank Redemption and believe it robbed them of Oscars, but to me all three films are good. Gump succeeds because of a lot of factors, but consider its acting and its visual effects. I've often heard it said that a bad performance is when you're aware it's only an actor playing a role instead of disappearing into it convincingly. Tom Hanks had starred in a dozen box-office hits by that point in his career and was the reiging Best Actor from the year before, and yet despite his familiarity to millions of moviegoers, some people still believed he was genuinely retarded because he played Gump so well. That's acting! Along the same lines, the best visual effects are said to be the ones you never notice. Gary Sinise was unknown then, but some people actually thought he was a legless actor, or even more outrageously, that he actually had his legs amputated for the role! Either the acting and the special effects were so very good as to lead people to outlandish conclusions as plausible explanations for them, or the audience for the film was as dumb as its hero. Even I'm not cynical enough to believe the latter.
One Reply to Rethinking Forrest Gump
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »
Breaking Monopoly
My latest pastime has been seeing if I can rig a video game of Monopoly to give me infinite money. It turns out that I can, but it's incredibly tedious, far more so than I thought. I like to play with the NES version, because it's just colorful and fun enough without being too sophisticated in its AI. Go »That's All I Have to Say About That
Remember those somber anti-piracy messages before theatrical movies a couple of years ago? Like the near-weepy set painter whose wife and kids were going to live in the poorhouse if you illegally downloaded The Big Chill? They must have had an effect on me, because instead of sadness or sympathy, they were all I could think about when I read that the make-up artist for Forrest Gump killed herself and her husband. Go »Very Unique
If you're going to write on your resumé that you're an "exceptional team player," you'd better be prepared to explain during your interview how that's possible. Go »My Hot Thanksgiving
It may have been a cold Thanksgiving up north, but it wasn't in my mother's apartment yesterday, where the air conditioning was broken and it was 80°. And that was before we turned the oven on for an hour to heat the food. We've ordered pre-made meals before from various businesses like Boston Market and Publix, but this year the only source we could find was Zoës Kitchen, a Middle Eastern chain restaurant. Go »The Wedding
Kelly and I wed on March 15, an event that we've been looking forward to for a very long time. Despite keeping the wedding modest and casual, it still involved a great deal of planning and anxiety, occupying my attention for the last few months. (Kelly was in charge of her outfit; I planned everything else, with her approval at each stage.) Go »
Kris Weberg | October 15, 2006
The acting in Forrest Gump is fine. The problem with the film is thatr, aside from being a rather nice little tour of popular accounts of American history, it doesn't really add up to much of anything. The moral seems to be that simple-minded platitudes and a certain obliviousness equate to virtue. The plot is simply a contrivance to insert Forrest into as many recent historical events as possible without having much to say about any of them.
It looks very nice and it's quite pleasant for the running time (at least on a first viewing), but it's a fairly pointless film when all is said and done. And that, more than anything else, is why its reputation has suffered in comparison to the moral challenges of Pulp Fiction and the meatier study of virtue and character in The Shawshank Redemption.