Rethinking Forrest Gump
by Scott Hardie on October 6, 2006
Inspired by a conversation this past weekend, I've been thinking about the once-popular movie Forrest Gump. It has fallen out of favor with people who prefer its contemporaries Pulp Fiction and The Shawshank Redemption and believe it robbed them of Oscars, but to me all three films are good. Gump succeeds because of a lot of factors, but consider its acting and its visual effects. I've often heard it said that a bad performance is when you're aware it's only an actor playing a role instead of disappearing into it convincingly. Tom Hanks had starred in a dozen box-office hits by that point in his career and was the reiging Best Actor from the year before, and yet despite his familiarity to millions of moviegoers, some people still believed he was genuinely retarded because he played Gump so well. That's acting! Along the same lines, the best visual effects are said to be the ones you never notice. Gary Sinise was unknown then, but some people actually thought he was a legless actor, or even more outrageously, that he actually had his legs amputated for the role! Either the acting and the special effects were so very good as to lead people to outlandish conclusions as plausible explanations for them, or the audience for the film was as dumb as its hero. Even I'm not cynical enough to believe the latter.
One Reply to Rethinking Forrest Gump
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »
Lars and the Ripoff
I'm sure that Lars and the Real Girl is a good movie and that Ryan Gosling is Oscar-worthy, yadda yadda. But will the bloggers out there spreading the word please stop acting like it's such an original premise to have an adult treat a life-size doll like a real person? In the past few years alone, I've watched indie movies May and Love Object cover the same ground, with Dummy skirting closeby, and those are only a few examples; plenty more exist through the years. Go »Crikey
I saw a trailer for a new Free Willy movie coming out soon, starring Bindi Irwin. They're going to cash in on that kid for as long as they can, before she breaks down and can't be Miss Junior Croc Hunter and more. Maybe working in the same career that killed her dad is good for her psyche; who am I to be skeptical? Go »The Importance of Being Richard
A conversation drifted today into weird shortening of names, like Robert into Bob and William into Bill (how come Michael doesn't become Bike?), and inevitably Richard into Dick came up. How did that even happen, anyway? Go »Everybody Loves George
As long as everyone already knows I'm years behind the rest of the culture, can I recommend That's My Bush! before Dubya actually concludes his presidency? We just finished watching the short series; it starts weak but gets pretty strong by the end. Go »Unexpected Easter
This has been an unusual few days. Kelly's father had a stroke on Thursday, so we left town suddenly to see him, ultimately choosing to drive since we can't afford plane tickets on no notice. He's going to be fine; his vision was affected at first but he seems recovered now, pending another examination. Go »
Kris Weberg | October 15, 2006
The acting in Forrest Gump is fine. The problem with the film is thatr, aside from being a rather nice little tour of popular accounts of American history, it doesn't really add up to much of anything. The moral seems to be that simple-minded platitudes and a certain obliviousness equate to virtue. The plot is simply a contrivance to insert Forrest into as many recent historical events as possible without having much to say about any of them.
It looks very nice and it's quite pleasant for the running time (at least on a first viewing), but it's a fairly pointless film when all is said and done. And that, more than anything else, is why its reputation has suffered in comparison to the moral challenges of Pulp Fiction and the meatier study of virtue and character in The Shawshank Redemption.