I've been enjoying "Meddle" and "Remedy" by Little Boots, two great electropop songs with catchy hooks, perfect for summer. But I didn't really take her seriously as an artist until I heard "Stuck on Repeat." It's pop music on acid, like Kylie Minogue produced by Captain Beefheart, and the unlikeliest hit song of the year. Even its lyrics can be interpreted as a deconstruction of pop music. Whether it's listenable as a song depends on your taste, but I think it's a work that demands attention.


Two Replies to Something Comes Along to Intervene

Jackie Mason | May 30, 2010
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Scott Hardie | March 12, 2017
I was thinking about this song again recently (it came to mind when the similarly meta-textual "Hook" came on), and two more thoughts occur to me:

1) I neglected to mention that Little Boots writes, records, and mixes her own music, usually on her own laptop (with occasional remixes by guest producers). She's the Real Deal that most pop artists aren't. That's impressive, and so is the fact that she was 23 when she made the above songs.

2) This mix of "Stuck on Repeat" deliberately breaks the rules of music, pitch-shifting the melody and making other "mistakes" to sound wrong to the ear. And that's the point, really: The self-aware lyrics are about trying in vain to escape from a loop of the rising-and-falling chord progression of traditional pop music. This song is more clever than I gave it credit for.


Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Chatt Story

Kelly and I are home from a brief road trip to Chattanooga. The primary reason for going was the wedding of an old friend of Kelly. The ceremony was beautiful, held on the banks of Fall Creek Falls Lake, with some of the best-written vows I've ever heard, at once personal and profound. Go »

The Ten Best Films of 2010 That I Saw

10) The Other Guys - An offbeat and frequently hilarious comedy seemingly performed by the seats of the actors' pants. Its randomness may turn off some, but the jokes clicked for me. How nice to have a movie so reminiscent of The Naked Gun in the year of Leslie Nielsen's passing. Go »

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I can't write about why I spent the week in Atlanta because it's too confidential and work-related, but I can say that I had a good time around the margins of that event. The first day was the only loss. I got so little sleep the night before (seemingly a part of every trip I take) that I spent it groggy and exhausted. Go »

Pandora

[This post wound up being very long-winded and self-absorbed, but that's what blogs are for, I guess.] For years, I've gotten increasingly picky about how I listen to music. Sometimes I just want to listen to everything I have on shuffle, but sometimes I want to get more specific like only music from one genre on shuffle or all songs by one artist in chronological order, and sometimes I want to get really specific, like songs about dreams or artists from Michigan or recordings featuring violins. Go »

OK Glass

Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online. Go »

R.I.P. Pat

Kelly's mother passed away last week. The event had been anticipated for decades: Pat was diagnosed with type 1 diabetes as a child, suffered kidney failure in 1995 and survived on her brother's donated kidney, and had five strokes and five heart attacks and countless operations, including emergency brain surgery in 2007 that changed her personality. She obviously possessed quite an inner resiliency even if she seemed petite and frail on the outside, but it was inevitable that she would someday lose the fight with her own body. Go »