Comeback
by Scott Hardie on March 25, 2008
Kelly shared this news with me: Boomerang returns, even in space.
I'm still waiting for scientists to announce, 'Boomerang' Starring Eddie Murphy Still Sucks, Even in Space.
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »
That's All I Have to Say About That
Remember those somber anti-piracy messages before theatrical movies a couple of years ago? Like the near-weepy set painter whose wife and kids were going to live in the poorhouse if you illegally downloaded The Big Chill? They must have had an effect on me, because instead of sadness or sympathy, they were all I could think about when I read that the make-up artist for Forrest Gump killed herself and her husband. Go »Even When I Was a Child, I Was Hated by Skeletons
We watched The Lost Skeleton of Cadavra again last night. If you haven't seen it, and you have a place in your heart for a pretty good spoof of campy D-grade sci-fi movies from the 1950s, rent it. A few people have been turned off by its slow pace, but I have yet to watch it with someone who hasn't at least found a few things to chuckle at. Go »Help Needed
Our friend Bill used to work USF tech support in the early nineties, the days of Windows 3.1 and 28.8k modems. Go »New Neighbors Upstairs
STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP STOMP... Go »All King and No Kubrick Make Jack a Dull Boy
I recently got to talking with friends who liked The Shining, both Stephen King's novel and Stanley Kubrick's film adaptation of it, but who were unaware that King has always loathed the movie, despite its reputation as one of the best horror films ever made. It's hard to imagine that a writer doesn't know his own work better than someone interpreting it, but I think this is one of those rare cases where the writer is just too close to the story to get it. Here are three reasons why I think Kubrick's film better understands the material, and is better overall, than King's novel: 1) In King's version, Jack Torrance is a fundamentally decent man who wouldn't hurt a fly, but who is down on his luck and desperate. Go »
