Flow Charts
by Scott Hardie on December 8, 2007
Meet the marriage of rap music and Microsoft Office: (link) Why do I have the feeling Herbert Kornfeld made some of these? Thanks, Marlon.
One Reply to Flow Charts
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »
The Phoenix
This is the last of four weekly blog posts about diagnoses that have completely changed my life since the pandemic started, after The Dragon, The Tiger, and The Serpent. I saved the lightest one for last. Many people who discover later in life that they're neurodivergent have reported spending years aware of the symptoms and signs of their condition without ever considering that the description might apply to them, and when they do finally realize, it's as if a thousand mysteries are solved at once: Things that never made sense are all suddenly explained. Go »A Friend Received This Fortune in His Fortune Cookie
"Wow! A secret message from your teeth." Go »House Hunted
I'm not superstitious, or I wouldn't say this until the closing next month: Kelly and I are buying a house. It's a great house, too, with a guest bedroom and a pool, and the neighbor training horses in the back yard every day, and plenty of room for just about whatever we'd want to do with it, at a lower price than similar houses around here. It's not a hundred percent perfect but damn if it ain't close. Go »Scott's Razor
Hanlon's Razor states:Never attribute to malice that which can be adequately explained by stupidity.That's cute, but aren't we all just a little quick to assume either explanation? Nobody trusts anybody else's judgment any more. Go »Something Comes Along to Intervene
I've been enjoying "Meddle" and "Remedy" by Little Boots, two great electropop songs with catchy hooks, perfect for summer. But I didn't really take her seriously as an artist until I heard "Stuck on Repeat." It's pop music on acid, like Kylie Minogue produced by Captain Beefheart, and the unlikeliest hit song of the year. Go »
Jackie Mason | December 16, 2007
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