Mario in Hell | Tragic Comedy

Classic video game fans have been modding their favorite programs for years to make insanely weird and difficult levels. What does it sound like to play Super Mario Bros. in Hell? Listen. (Thanks, Miah.)

One Reply to Mario in Hell

Matthew Preston | May 13, 2007
"Fuck you Blooper."

Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Shadows

Lindsey Stirling combines her violin, electronic music, and hip hop dance moves into a really unique pop act. She was a semi-finalist on America's Got Talent, but YouTube seems to be a better showcase for her. I'm really digging a number of her videos, but especially this one because it's mostly a single uninterrupted shot. Go »

Flow Charts

Meet the marriage of rap music and Microsoft Office: (link) Why do I have the feeling Herbert Kornfeld made some of these? Thanks, Marlon. Go »

Spirit

I've always felt like my life's dream was to quit my job and spend all my time online. I wouldn't only do that, of course – if I won the lottery and quit my job, I'd also travel and take classes and throw parties and do other things – but let's face it, I'd spend a lot of time working on this site and talking to people online. Last night I dreamed I was a ghost, recently passed. Go »

That's All I Have to Say About That

Remember those somber anti-piracy messages before theatrical movies a couple of years ago? Like the near-weepy set painter whose wife and kids were going to live in the poorhouse if you illegally downloaded The Big Chill? They must have had an effect on me, because instead of sadness or sympathy, they were all I could think about when I read that the make-up artist for Forrest Gump killed herself and her husband. Go »

Can't Blog Now...

....Must play Elder Scrolls IV: Oblivion! I finally understand why they called that earlier game "EverCrack." Go »

All King and No Kubrick Make Jack a Dull Boy

I recently got to talking with friends who liked The Shining, both Stephen King's novel and Stanley Kubrick's film adaptation of it, but who were unaware that King has always loathed the movie, despite its reputation as one of the best horror films ever made. It's hard to imagine that a writer doesn't know his own work better than someone interpreting it, but I think this is one of those rare cases where the writer is just too close to the story to get it. Here are three reasons why I think Kubrick's film better understands the material, and is better overall, than King's novel: 1) In King's version, Jack Torrance is a fundamentally decent man who wouldn't hurt a fly, but who is down on his luck and desperate. Go »