Lately I've been enjoying Aimee Mann's I'm with Stupid. Oh, how I wish she'd saved that title for a duets album.


Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Scott's Car is Dead; Long Live Scott's Car

Is it a reflection of our road-rage culture that a company named Dodge manufactures cars with violent names like Ram, Magnum, Caliber, and Viper? I pondered this at the dealership yesterday during the eternal wait between brief flurries of document-signing so I could buy my first car. It took some doing to get the sunroof and other features I wanted, but I'm now the happy (and relieved) owner of a 2007 Dodge Caliber SXT. Go »

Hungry Hungry Kitty

When you want your dinner, you want your dinner: (link) I do the same thing at China Buffet when they try to take the chicken lo mein off the line. Go »

R.I.P. Mom

You were so still in your bed when I could finally sit down beside you, a few hours after the facility notified me that you had died. I hadn't seen you be that peaceful in years, your eyes not scanning the room for clues, your hands not turning over each object in front of you for endlessly repeated examination. I whispered to you the most urgent and most precious things I had to say, the secrets and atonements and wishes foremost on my mind. Go »

Only in the Web Era

Victim's cell phone is stolen on subway. Thief takes photos of his own wife, family, dog, and home. Cell phone automatically uploads them to victim's Flickr account. Go »

Something Comes Along to Intervene

I've been enjoying "Meddle" and "Remedy" by Little Boots, two great electropop songs with catchy hooks, perfect for summer. But I didn't really take her seriously as an artist until I heard "Stuck on Repeat." It's pop music on acid, like Kylie Minogue produced by Captain Beefheart, and the unlikeliest hit song of the year. Go »

All King and No Kubrick Make Jack a Dull Boy

I recently got to talking with friends who liked The Shining, both Stephen King's novel and Stanley Kubrick's film adaptation of it, but who were unaware that King has always loathed the movie, despite its reputation as one of the best horror films ever made. It's hard to imagine that a writer doesn't know his own work better than someone interpreting it, but I think this is one of those rare cases where the writer is just too close to the story to get it. Here are three reasons why I think Kubrick's film better understands the material, and is better overall, than King's novel: 1) In King's version, Jack Torrance is a fundamentally decent man who wouldn't hurt a fly, but who is down on his luck and desperate. Go »