(link) Thanks, John.


Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Notes from Milwaukee So Far

Bad flight Friday. Late dinner at the local 24-hour Greek diner, first pasta I've had in a week and so good. Matt thought the waitress was ignoring us; I thought she was attentive. Go »

Captain's Compromise

I think a lot (too much maybe) about morality in storytelling. Anybody keeping up with The MCU Project might be getting tired of my complaints about how little thought the writers of Agents of S.H.I.E.L.D. put into this important part of their job. Go »

New Baby Upstairs

WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH WAAAH... Go »

House of Pain

Happy new year! The first month of 2015 has been so terrible that I'm declaring a re-do as if it never happened. 2015 really starts now as far as I'm concerned. Go »

Kissingerian

Another of Fareed Zakaria's perfectly lucid articles today, suggesting the only way out of Iraq: (link) Go »

All King and No Kubrick Make Jack a Dull Boy

I recently got to talking with friends who liked The Shining, both Stephen King's novel and Stanley Kubrick's film adaptation of it, but who were unaware that King has always loathed the movie, despite its reputation as one of the best horror films ever made. It's hard to imagine that a writer doesn't know his own work better than someone interpreting it, but I think this is one of those rare cases where the writer is just too close to the story to get it. Here are three reasons why I think Kubrick's film better understands the material, and is better overall, than King's novel: 1) In King's version, Jack Torrance is a fundamentally decent man who wouldn't hurt a fly, but who is down on his luck and desperate. Go »