The Honeymoon
by Scott Hardie on April 6, 2014

After our wedding, it was time for Kelly and I to enjoy our honeymoon: Ten days in Los Angeles, San Francisco, and the coastline between them. We (really I, with Kelly's signoff) spent weeks researching and scheduling to pull it off, and the effort was definitely worth it, as we had ten days of bliss. We rode new rides at Disneyland, toured a movie studio and historic ship, saw whales and dolphins up close, ate lunch atop a mountain, hiked among the redwoods, explored Chinatown and Alcatraz, and along the way ate some amazing food. We were exhausted, grateful, and so very happy by the end of the trip.
There's a much longer version of this post with lots of photos and more information about each part of the trip.
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

More Nerd Humor
Thanks, Kelly. Go »
Summer of Suck II
Science says that complaining is bad for you, but sometimes it helps me feel better, so I'm going to do it anyway. It's my blog and I can cry if I want to. Summer has arrived and I'm miserable. Go »
Where the Hell I Have Been All Year, Part II
I have a job! It sounds silly to keep that a secret, and yet I did for two years. I was fearful of being dooced for the slightest remark, since nearly anything can be interpreted as inappropriate with enough reasoning. Go »
Mac Killed My Inner Child
(link) nsfw Go »
All King and No Kubrick Make Jack a Dull Boy
I recently got to talking with friends who liked The Shining, both Stephen King's novel and Stanley Kubrick's film adaptation of it, but who were unaware that King has always loathed the movie, despite its reputation as one of the best horror films ever made. It's hard to imagine that a writer doesn't know his own work better than someone interpreting it, but I think this is one of those rare cases where the writer is just too close to the story to get it. Here are three reasons why I think Kubrick's film better understands the material, and is better overall, than King's novel: 1) In King's version, Jack Torrance is a fundamentally decent man who wouldn't hurt a fly, but who is down on his luck and desperate. Go »