OK Glass
by Scott Hardie on September 18, 2014
Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online.
Glass talked about how he studied semiotics in college, and that made a lot of sense: He approaches the radio show not like a journalist, but like a storyteller, using structure rather than content to build the audience's interest. He broke down some of his most famous episodes and explained how he organized them to build mysteries in the mind of the listener and establish universal connections to the people in the tale. I'm absolutely going to start applying his lessons to my own storytelling.
The stage show was frequently funny -- Glass has the skills to be a comedian, if not the psychopathology -- but for the cost of the tickets, I guess I expected more. It was over so soon, after Glass explained maybe four aspects about how his show works, and there was no visual element to the show other than Glass just walking around the stage, gesturing as he talked. The radio show has zero visual component, so I thought maybe the stage show would project images onto a screen or bring out some props or something to differentiate it. The stage show did include several requests to donate to the local NPR member station, so it was like the radio in that sense.
Even though stage show itself was not very good despite some laughs, I'll be glad that I went if it gets me listening to the backlog of This American Life online and gets me to approach storytelling in a new way.
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »
Varicosity
A couple of people have asked about a foot injury that I mentioned. It sounded scary but it's actually pretty minor. A varicose vein on the surface of my left foot ruptured on its own. Go »Flak Album
Lately I've been enjoying Aimee Mann's I'm with Stupid. Oh, how I wish she'd saved that title for a duets album. Go »Powerless
Going without electricity in Florida can be a miserable affair. You sweat non-stop. You sleep fitfully at best, waking up in pools of your own body fluid. Go »All King and No Kubrick Make Jack a Dull Boy
I recently got to talking with friends who liked The Shining, both Stephen King's novel and Stanley Kubrick's film adaptation of it, but who were unaware that King has always loathed the movie, despite its reputation as one of the best horror films ever made. It's hard to imagine that a writer doesn't know his own work better than someone interpreting it, but I think this is one of those rare cases where the writer is just too close to the story to get it. Here are three reasons why I think Kubrick's film better understands the material, and is better overall, than King's novel: 1) In King's version, Jack Torrance is a fundamentally decent man who wouldn't hurt a fly, but who is down on his luck and desperate. Go »Mayhem
Last night I saw Killswitch Engage, Slayer, and Marilyn Manson. This morning I discovered that Walgreens sells a pretty good neck brace for $11.99. Aaron Shurtleff bought my Mayhem Festival ticket in May as a gift, and I'm grateful to have another generous friend. Go »
