OK Glass
by Scott Hardie on September 18, 2014
Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online.
Glass talked about how he studied semiotics in college, and that made a lot of sense: He approaches the radio show not like a journalist, but like a storyteller, using structure rather than content to build the audience's interest. He broke down some of his most famous episodes and explained how he organized them to build mysteries in the mind of the listener and establish universal connections to the people in the tale. I'm absolutely going to start applying his lessons to my own storytelling.
The stage show was frequently funny -- Glass has the skills to be a comedian, if not the psychopathology -- but for the cost of the tickets, I guess I expected more. It was over so soon, after Glass explained maybe four aspects about how his show works, and there was no visual element to the show other than Glass just walking around the stage, gesturing as he talked. The radio show has zero visual component, so I thought maybe the stage show would project images onto a screen or bring out some props or something to differentiate it. The stage show did include several requests to donate to the local NPR member station, so it was like the radio in that sense.
Even though stage show itself was not very good despite some laughs, I'll be glad that I went if it gets me listening to the backlog of This American Life online and gets me to approach storytelling in a new way.
Logical Operator
The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »
alt.tv.bitchbitchbitch
Continuing in my tradition of discussing pop culture 5-to-10 years after its shelf life: Once upon a time, I was an enormous fan of ER. From the time I started watching early in season one, I didn't miss a single first-run broadcast until I finally stopped watching late in season five. I learned the medical jargon; I memorized every minor character's name; I speculated about and debated the future plotlines endlessly. Go »Deg-Deg, Sims... Deg-Deg Forever
I really want to enjoy playing The Sims 2. I've logged thousands of hours on the first Sims and hundreds on the sequel. The problem is that I can't even play it in the first place in order to enjoy playing it. Go »Windbag
I don't know what Polaroids he has of whom, but somehow Tom Skilling has elevated himself to some kind of all-important weather-broadcasting god. When I grew up in Chicago, I watched him gradually get a bigger and bigger budget for his animated graphics, and gradually get a larger and larger timeframe to deliver his dull reports. By the time I left town, he had a whole 20 minutes of the hour-long midday newscast for the fucking weather, and boy did he find trivia to fill it: Average dew points across Cook County on this day in 1854, theta-e temperature predictions for every Cubs home game next season, you name it. Go »Hungry Hungry Kitty
When you want your dinner, you want your dinner: (link) I do the same thing at China Buffet when they try to take the chicken lo mein off the line. Go »The Importance of Being Richard
A conversation drifted today into weird shortening of names, like Robert into Bob and William into Bill (how come Michael doesn't become Bike?), and inevitably Richard into Dick came up. How did that even happen, anyway? Go »
