Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online.

Glass talked about how he studied semiotics in college, and that made a lot of sense: He approaches the radio show not like a journalist, but like a storyteller, using structure rather than content to build the audience's interest. He broke down some of his most famous episodes and explained how he organized them to build mysteries in the mind of the listener and establish universal connections to the people in the tale. I'm absolutely going to start applying his lessons to my own storytelling.

The stage show was frequently funny -- Glass has the skills to be a comedian, if not the psychopathology -- but for the cost of the tickets, I guess I expected more. It was over so soon, after Glass explained maybe four aspects about how his show works, and there was no visual element to the show other than Glass just walking around the stage, gesturing as he talked. The radio show has zero visual component, so I thought maybe the stage show would project images onto a screen or bring out some props or something to differentiate it. The stage show did include several requests to donate to the local NPR member station, so it was like the radio in that sense.

Even though stage show itself was not very good despite some laughs, I'll be glad that I went if it gets me listening to the backlog of This American Life online and gets me to approach storytelling in a new way.


Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Thank You Mario! But Our Princess is in Another Castle!

(link) Go »

His Name is Bond

[Spoilers for Casino Royale.] One of my favorite bits of any fan-invented mythology is the identity of 007: It is held by some series fans (and me) that "James Bond" is merely a codename. When one Bond is killed or retires, another one takes his place and assumes the same name, which is why you see a different actor every decade and the man doesn't age despite having been around since the Kennedy administration. Go »

Moving Day

You don't think about how much unnecessary stuff you own until you're paying someone by the hour to move it all. After Kelly and I moved into our new home last night, here's the current state of our living room, guest room, and garage. The house is a mess, and so are we. Go »

The Ten Best Films of 2010 That I Saw

10) The Other Guys - An offbeat and frequently hilarious comedy seemingly performed by the seats of the actors' pants. Its randomness may turn off some, but the jokes clicked for me. How nice to have a movie so reminiscent of The Naked Gun in the year of Leslie Nielsen's passing. Go »

Fantastic

The 20th Century Fox sequel "Fantastic Four: Rise of the Silver Surfer" debuted as the No. 1 weekend flick with $57.4 million in sales, slightly surpassing the $56.1 Go »

Shoulda Seen It Coming

The news that Princeton's infamous ESP research lab is soon to close (link) is both heartening and a little disappointing. On one hand, if there's anything at all to ESP, then skeptics should have no objection to private donations funding some bonafide scientific research into it – no harm done except for a hint of legitimacy. On the other hand, this lab was a black bruise for Princeton and its "findings" were routinely debunked, and a facility investigating exceptional claims must have exceptional adherence to scientific standards. Go »