Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online.

Glass talked about how he studied semiotics in college, and that made a lot of sense: He approaches the radio show not like a journalist, but like a storyteller, using structure rather than content to build the audience's interest. He broke down some of his most famous episodes and explained how he organized them to build mysteries in the mind of the listener and establish universal connections to the people in the tale. I'm absolutely going to start applying his lessons to my own storytelling.

The stage show was frequently funny -- Glass has the skills to be a comedian, if not the psychopathology -- but for the cost of the tickets, I guess I expected more. It was over so soon, after Glass explained maybe four aspects about how his show works, and there was no visual element to the show other than Glass just walking around the stage, gesturing as he talked. The radio show has zero visual component, so I thought maybe the stage show would project images onto a screen or bring out some props or something to differentiate it. The stage show did include several requests to donate to the local NPR member station, so it was like the radio in that sense.

Even though stage show itself was not very good despite some laughs, I'll be glad that I went if it gets me listening to the backlog of This American Life online and gets me to approach storytelling in a new way.


Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Space Out

As Denise suggested I do, I've gotten partway through the Unsolved Mysteries set on UFOs. (link) It's not my favorite topic, but the show is entertaining no matter what it covers, and they put on a good show. The problem is that most of it is so hard to believe. Go »

Throw Out Your Caller ID

I'm all for scientific research into the paranormal, since it will benefit humankind whether the results are affirmative or negative – but apparently it's awfully hard to keep such research scientific. For instance, I never fail to be amused by ghost hunters who claim to have proven a haunting because electromagnetic readings are higher in the area, a phenomenon that has no demonstrated correlation with hauntings. And let's not even get into the ones who claim to have proven a haunting because a "psychic" said they sensed ghosts nearby. Go »

Year of Disney

Kelly's been suggesting for a long time that we invest in annual passes to Disney World, since we live two hours' drive away. I finally wised up and listened to her, as some number-crunching showed that we would only need to spend three days there for the passes to pay for themselves. We placed the order and called it a Christmas gift to each other. Go »

Bubba Franks! Bubba Franks, Y'all

There has to be a corny sexual position that nobody actually does (like Dirty Sanchez) named after that man. The rest of my trip is over and was richly enjoyed. We skipped Fearless in favor of playing Playstation games and scarfing down Chinese food while talking at length about the goo game and how it could be better. Go »

Warp Zone

President Bush has a new advisor: (link) Go »

R.I.P. Bob

My friend and former co-worker Bob, who provided us with jerky at GooCon: Siesta Key, recently passed away of a sudden illness. He was a quirky dude, occasionally given to hostile pranks, but usually a delightful and friendly presence whenever he saw you. I don't know how much his service in Vietnam warped him, but he definitely wasn't like anyone else I knew, prone to making weird jokes and unexplained connections between ideas. Go »