Last weekend, Kelly and I drove up to St. Petersburg with friends to see Ira Glass present a one-man stage show explaining how he makes This American Life on the radio. I had no prior familiarity with his work, having not heard the radio show unlike the fans that I went with, but I think it's long past time that I started listening to the celebrated series online.

Glass talked about how he studied semiotics in college, and that made a lot of sense: He approaches the radio show not like a journalist, but like a storyteller, using structure rather than content to build the audience's interest. He broke down some of his most famous episodes and explained how he organized them to build mysteries in the mind of the listener and establish universal connections to the people in the tale. I'm absolutely going to start applying his lessons to my own storytelling.

The stage show was frequently funny -- Glass has the skills to be a comedian, if not the psychopathology -- but for the cost of the tickets, I guess I expected more. It was over so soon, after Glass explained maybe four aspects about how his show works, and there was no visual element to the show other than Glass just walking around the stage, gesturing as he talked. The radio show has zero visual component, so I thought maybe the stage show would project images onto a screen or bring out some props or something to differentiate it. The stage show did include several requests to donate to the local NPR member station, so it was like the radio in that sense.

Even though stage show itself was not very good despite some laughs, I'll be glad that I went if it gets me listening to the backlog of This American Life online and gets me to approach storytelling in a new way.


Logical Operator

The creator of Funeratic, Scott Hardie, blogs about running this site, losing weight, and other passions including his wife Kelly, his friends, movies, gaming, and Florida. Read more »

Bogus

You know what I bet would sell really well to people who want to be hipsters and don't get it? A "Wyld Stallyns" t-shirt. Go »

Música de la polca

"I had to chaperone the prom at the high school where I worked. Most of the kids at that school are Hispanic, so they got to choose the music. You'd think they'd want to listen to hip hop or techno or something cool. Go »

Heart Burn

The recurring pericarditis that I mentioned elsewhere is now believed by my primary-care doctor to be heartburn or possibly an ulcer. The latter explanation is possible I suppose, but I'm skeptical about the former since it feels less like an acidic burning than like a sharp localized lower-chest pain such as a knife wound or bullet wound. Either way, it still keeps occurring every few weeks, it still hurts like a son of a bitch and keeps me awake all night, and I'm way beyond sick of it happening. Go »

Where the Hell I Have Been All Year, Part III

This is a long story of interest only to friends of mine and people who really want to spend fifteen minutes reading about my life, but I've been promising to reveal this secret for the better part of a year and the time has come: Kelly Lee and I were a couple again this past spring. I kept it secret because A) it was difficult to tell the friends who had supported me during her breakup that we were dating again and B) for the duration of the relationship I didn't know where it was going and I wanted to know this before I said anything. Anyway, this story is solely my point of view and may not be fair to hers. Go »

Toothiness, Or: More Bad Dental Humor

You know what company makes my favorite commercials? Oral-B. (link) (link) The camera careens inside the "Oral-B Institute," where a legion of white-coated scientists look sternly at interactive hologram displays and lasers carve out futuristic technology inside reactor chambers. Go »

Game Over

On paper, Game Over doesn't look promising: A vulgar, video-game-themed cartoon series on UPN that only lasted five episodes. But I rented it anyway, and somehow it managed to be entertaining and smarter than it needed to be, but maybe that was just the low expectations kicking in. I think the key to the show is that it actually respected its characters and cared for them as a family unit, instead of using them as empty vessels for punchlines (latter-year The SImpsons) or treating them with unmistakable contempt (Family Guy). Go »